Chords » D Major Added 11th (1st inversion)

Symbols:Dadd11/F#, DMajadd11/F#, DMadd4/F#, Dadd4/F#, DMadd11/F#, D4/F#
Scale Degree Formula:1-♭3-♭9-♭13
Interval Stack:m3 + m7 + P5
Notes:F#, A, G, D
Hear this chord:▸ Guitar
Inversion of:D Major Added 11th

Construction

This chord is an inversion of the D Major Added 11th chord, so construction is a little different from standard chords. An inversion is the same as the base version of a chord, though its notes are played in a different order. For this inversion, you'll start with the notes of the base chord (D, F#, A, G), then count 1 to the right to find the lowest note of this chord (F#). The rest of the notes to the right of this continue this chord, and then we 'wrap around' to the beginning, until we have reached our new first note. After all of this, we end up with the final notes for this inversion: F#, A, G, D.
You can also use the more traditional methods described below, though you'll need to start from the lowest note as described above to find your starting point. The scale degree and interval stack listed above are from the perspective of this interval, so they'll produce the same notes as the base chord, but in the order required by this inversion.
Using the scale degree formula, we first start with the F# major scale, and number each note in the scale starting from 1 - these are the scale degrees. Next, we use the scale degree formula, in this case 1-♭3-♭9-♭13, to select notes from our enumerated scale. When a chord requires notes that are not in the scale, this is indicated with a flat (♭) or a sharp (#) along with the scale degree; a ♭3, for instance, would be one half-step down from the 3rd scale degree.
Alternatively, we can use the interval stack to construct our chord. With this approach, we first start with the lowest note of the chord (F#), then move our first interval (m3), which brings us to our second note in the chord (A). We repeatedly apply each of the remaining intervals in the stack to get the full list of notes for our chord.
The diagram below shows how both the scale degree formula and interval stack methods result in the same selection of notes:
F#1G♭2G#2A♭3Bb3B4C♭5C#5D#5D#6E♭7F7F#8G♭9G#9A♭10Bb10B11C#11C#12D♭13m3m7P5

Similar Chords

The following chords are similar to this chord and may be a suitable replacement in certain scenarios.

Chord TypeChords
7th Suspended FourthD7sus, A7sus
7th Suspended SecondG7sus2
Added 9thGadd9, Dadd9
Augmented Major 7thBb+Maj7
Diminished Major 7thD#dimMaj7
Dominant 7thD7
MajorD
Major 2ndG2, D2
Major 6thDM6
Major 7thGM7, DM7
Major 7th Flat FifthD#Maj7b5
Major 9thGM9
Major Added 11thDadd11
Minor 2ndGm2
Minor 7thBm7
Minor 7th Flat ThirteenthBm7b13
Minor Added 11thDmadd11
Minor Added 9thGmadd9
Minor Major 7thGmM7
Minor Major 9thGmMaj9
Suspended FourthDsus
Suspended SecondGsus2

Associated Scales

This chord can be found in the following scales.

ScaleRoots
DorianE, A
Dorian b5E, A
Harmonic MajorD, G
Harmonic MinorG
Ionian #5Bb
LocrianC#, F#
Locrian bb7C#, F#
Locrian ♮6A
LydianC, G
Lydian #9D#
Lydian Augmented #2D#, Bb
Lydian b3C, G
MajorD, G
MinorE, B
MixolydianD, A
Mixolydian b2D, A
PhrygianB, F#
Phrygian DominantD
Phrygian b4B, F#
Super-Locrian bb7F#
Ukrainian DorianC

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Read about the algorithms and methods used in constructing chord details.