Chords » C# Minor Added 11th (2nd inversion)

Symbols:C#madd11/G#, C#minadd11/G#, C#madd11/G#, C#madd4/G#
Scale Degree Formula:1-♭7-11-♭13
Interval Stack:m7 + P5 + m3
Notes:G#, F#, C#, E
Hear this chord:▸ Guitar
Inversion of:C# Minor Added 11th

Construction

This chord is an inversion of the C# Minor Added 11th chord, so construction is a little different from standard chords. An inversion is the same as the base version of a chord, though its notes are played in a different order. For this inversion, you'll start with the notes of the base chord (C#, E, G#, F#), then count 2 to the right to find the lowest note of this chord (G#). The rest of the notes to the right of this continue this chord, and then we 'wrap around' to the beginning, until we have reached our new first note. After all of this, we end up with the final notes for this inversion: G#, F#, C#, E.
You can also use the more traditional methods described below, though you'll need to start from the lowest note as described above to find your starting point. The scale degree and interval stack listed above are from the perspective of this interval, so they'll produce the same notes as the base chord, but in the order required by this inversion.
Using the scale degree formula, we first start with the G# major scale, and number each note in the scale starting from 1 - these are the scale degrees. Next, we use the scale degree formula, in this case 1-♭7-11-♭13, to select notes from our enumerated scale. When a chord requires notes that are not in the scale, this is indicated with a flat (♭) or a sharp (#) along with the scale degree; a ♭3, for instance, would be one half-step down from the 3rd scale degree.
Alternatively, we can use the interval stack to construct our chord. With this approach, we first start with the lowest note of the chord (G#), then move our first interval (m7), which brings us to our second note in the chord (F#). We repeatedly apply each of the remaining intervals in the stack to get the full list of notes for our chord.
The diagram below shows how both the scale degree formula and interval stack methods result in the same selection of notes:
G#1A♭2Bb2B♭3C3C#4D♭5D#5E#5F6F#♭7G7G#8A♭9Bb9B♭10C10C#11D#11D#12E♭13m7P5m3

Similar Chords

The following chords are similar to this chord and may be a suitable replacement in certain scenarios.

Chord TypeChords
7th Suspended FourthG#7sus, F#7sus, C#7sus
7th Suspended SecondF#7sus2
Added 9thF#add9, Eadd9
Dominant 7thF#7
Dominant 7th Sharp FifthG#7#5
Dominant 9thF#9
Half-Diminished 7thBbm7(b5)
Major 2ndF#2, E2
Major 6thEM6, AM6
Major 7thAM7
Major 7th Flat FifthDMaj7b5
Major 9th Flat FifthDMaj9b5
Major Added 11thC#add11
MinorC#m
Minor 2ndF#m2, C#m2
Minor 6thC#m6
Minor 7thF#m7, C#m7
Minor 9thF#m9
Minor Added 11thC#madd11
Minor Added 9thF#madd9, C#madd9
Minor Major 7thC#mM7
Six-NineE6/9
Suspended FourthC#sus
Suspended SecondF#sus2

Associated Scales

This chord can be found in the following scales.

ScaleRoots
BluesC#
Blues MajorB
Blues MinorG#
DorianF#, C#, B
Harmonic MinorC#
Ionian #5E
LocrianD#, Bb, G#
Locrian ♮6D#
LydianE, D, A
Lydian #9A
MajorE, B, A
Major PentatonicE
MinorF#, C#, G#
Minor PentatonicC#
MixolydianF#, E, B
PhrygianD#, C#, G#
Phrygian DominantG#
Super-Locrian bb7C
SuspendedF#
Ukrainian DorianF#

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